a5c7b9f00b Scientist Peyton Westlake is working on a project to create synthetic skin. Now the skin he has developed has a flaw–it will not remain stable for more than 99 minutes. His girlfriend, Julie, a lawyer is investigating a developer. She leaves some incriminating documents at Peyton's. One night Peyton was working when the lights in his lab went out, he then discovers that the synthetic skin has remained stable past 99 minutes, he deduces that it's because of light that the skin doesn't remain stable. And it is at that moment that a psychotic criminal, Robert Durant appears demanding the documents that Julie left there. They beat up Peyton, and after finding the documents they blow up Peyton's lab. Peyton was blown away and everybody believes he is dead but in reality, he was found, burned seriously and a new procedure was performed on him that renders him unable to sense pain, he also now has tremendous strength and is now prone to violent outbursts. He is now working on perfecting the synthetic skin and at the same using his technology to make synthetic skin masks of the men who attacked him so that he could strike back at them.
Peyton Westlake is a scientist who has discovered a way to produce synthetic skin. This could revolutionise skin grafting, except for one minor glitch; the synthetic skin degrades after 100 minutes of exposure to light. When gangsters attack Peyton, he is horrifically burnt, and assumed dead. In his quest for revenge, Peyton, aka the Darkman, is able to take on the appearance of anyone (using the synthetic skin,) but he only has 100 minutes per disguise.
Sam Raimi&#39;s trial run for the Spider-Man franchise is a whole bunch of fun. Liam Neeson plays Dr. Peyton Westlake, a super scientist who after a major run-in with the villainous Robert G. Durant (Larry Drake), reinvents himself as Darkman, a super-anti-hero who sets about ridding L.A. of its mobsters.<br/><br/>It&#39;s a comic book film that isn&#39;t based on a comic book, Raimi inventing his own tortured protagonist whilst homaging similar beings of eras past. All the silliness of such fare is here of course, overblown violence and colourful characters are frequent, but there&#39;s good thought gone into the revenge theme, while the action sequences are often excellent. The pace hardly sags, as Raimi&#39;s creations move about a Los Angeles that is equally decaying or affluent, and in Neeson the story has a lead actor with swagger, pathos and emotional force in abundance. 7/10
For a Class-B type movie and feel to it, it&#39;s pretty good….better than I anticipated. I&#39;ve seen it twice and enjoyed it more the second time. I had forgotten how stylish-looking it was and it was fun to see.<br/><br/>What I did remember were a couple of wild scenes, such as &quot;Darkman&quot; (Liam Neeson) being swung around in the sky on the end of a chain from a helicopter, and the big fire scene early on which turns Neeson&#39;s character into the masked hero.<br/><br/>The villains in the movie are over-the-top, leading with Larry Drake&#39;s character &quot;Durant.&quot; There also is some outrageous Rambo action which stretches way past credibility, such as people shooting from five feet away and missing our hero!<br/><br/>Overall, not as good as the critics would have you believe, but still entertaining. At least it has two quality actors in Neeson and Frances McDormand. Drake went on to play the infamous &quot;Dr. Giggles.&quot; If you liked this crazy film, you&#39;ll love that one.
Darkman, as unnerving as a gargoyle, is a classic nightmare, elegant and sumptuous, everything "Batman" should have been. But we're numbed after a while, as we are by the grotesquerie of the nightly news. Then again, maybe that's Raimi's intention. His work is beautiful in its scary way, and never only skin deep.
According to Bruce himself at a UK convention in March 2008, he was never down for the role. He did confirm however that he supplied much of the voice work. The European DVD has a small cut due to it being distributed in the UK, where the BBFC used to have a problem with the depiction of certain Asian weapons in movies. It is hard to say. There is a shot that establishes where the line is and shows that Westlake is already standing very close to it when he gets there, so it is possible that he crossed it on the last throw when he knocked the bottles down and not realized it. If Westlake was paying attention, the fact that he is so certain that he did not cross the line would set the interpretation that the guy at the stand really was trying to cheat him. While both interpretations involve the aspect of his inability to control his temper making Westlake/Darkman more unpredictable, dangerous and susceptible to violence; only the one in which the guy actually cheated Westlake would involve him getting what he deserves when Westlake beats him up. Bottom line, if you want to believe that the scene&#39;s only purpose was to put further focus on Westlake&#39;s growing instability, then he did cross the line (though either way, the underlying meaning is there). But if you want to believe that the guy was being an unfair jerk, you&#39;ll say Westlake was behind the line.
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